Visual Art

"These images are memories of long forgotten dreams. Is this their heartbeat or ours? Will we ever be able to understand the vision of the artists across such an abyss of time? There is an aura of melodrama in this landscape. It could be straight out of a Wagner opera or a painting of German romanticists. Could this be our connection to their route? This staging of a landscape as an operatic event does not belong to the romanticists alone. Stone-age men might have had a similar sense of inner landscapes and it seems natural that there is a whole cluster of palaeolithic caves right around here." Werner Herzog, Film Director, in Cave of Forgotten Dreams, 2010

"Uh... Sorry, si-silence please. Please don't move. We are going to listen to the silence in the cave and perhaps, we can even hear our own heartbeat." (water drips) Jean Clottes, Former Head of Scientific Research Chauvet Cave, in Cave of Forgotten Dreams, 2010

  • A highly optimized image Anthony Ngoya

    installation 1, 2020; textile, chains, galvanized pipe, 150x350, courtesy of the artist

  • A highly optimized image Christiane Blattmann

    Die Alte Braut, 2019; silicone, pigment, jute, 150x200, courtesy of the artist and Damien & The Love Guru, Brussels

  • A highly optimized image Thomas Renwart
  • A highly optimized image Tom Hallet

    To Derek, 2020; pencil on paper, 21x29,7, courtesy of the artist

  • A highly optimized image Tristan Bründler

    Dis, 2022; cardboard, pray glue, epoxy, synthetic vegetal, 162x94x78, courtesy of the artist

  • A highly optimized image Daan Couzijn

    The Touch, 2019; static CGI, rendered in 3D software, printed on synthetic satin, 200x300, courtesy of the artist

  • A highly optimized image Gilles Dusong

    ‘untitled’, 2021; sheet metal, 40x200x200, courtesy of the artist

  • A highly optimized image Che Go Eun

    The Garden of Lust in Spring, 2019; digital image, 128x309, courtesy of the artist

  • A highly optimized image Sanam Khatibi

    Under the influence of poison, 2018; oil and pencil on canvas, 180x230, courtesy of the artist and Rodolphe Janssen, Brussels

  • A highly optimized image Nokukhanya Langa

    WhAt AbOut ThE cAvE mEn?, 2019; oil on canvas, 175x135, courtesy of the artist and Galerie van Gelder, Amsterdam

  • A highly optimized image Justin Fitzpatrick

    The Origin of Anxiety, 2019; oil on canvas, 93x73, courtesy of the artist and Galerie Sultana, Paris

  • A highly optimized image Gilles Dusong

    ‘untitled’, 2020; wood, PLA, 100x100x100, courtesy of the artist

  • A highly optimized image Gilles Dusong

    ‘untitled’, 2021; digital image, 150x150, courtesy of the artist

  • A highly optimized image Filip Anthonissen

    Dorst, 2021; video, 5'55", courtesy of the artist

  • A highly optimized image Justin Fitzpatrick

    The Song of Men ( Madrigal), 2017; resin, leather, 250x150x4, courtesy of the artist and Seventeen Gallery, London

  • A highly optimized image Filip Anthonissen

    Dorst, 2021; video, 5'55", courtesy of the artist